The Salaryman's Guide: the Flaming Lips (Inaugural Edition)
About two or three summers ago, we had bought two tickets to see the Flaming Lips which, for a variety of reasons, we couldn't use. Instead of letting the tickets go to waste, I asked around the office to see if anyone could use them. I sent one email out to various co-workers that were around the same age; I sent another email out to the entire office. No one had heard of the Flaming Lips.This blew my mind.
Granted, it's not like the Flaming Lips are the biggest band in the world: my parents would acknowledge that they've at least heard of U2, but I would never expect them to have heard of the Flaming Lips. Conversely, however, it's not like the Flaming Lips are a little garage band playing open stage hours at the pub: the show was at the Malkin Bowl, in Stanley Park (this summer, Elvis Costello, the Pretenders and Cat Power played the same venue). How does that large a phenomena in popular culture go unnoticed in an office of over a hundred, wherein the majority of people are in the 20 to 40 age bracket?
Over the past few years where I've gone from carefree student to indifferent workerman, I've noticed this happen on multiple occasions, be it with bands, movies, restaurants or some other trend or fad. It'd be easy to laugh at this in some sort of self-righteous, holier-than-thou kind of way, but it's not like these folks were some sort of backwater hicks or Stepford Wife suburbanites. Many, if not most, were simply people that spent a good chunk of their youth working extremely hard to make a career for themselves, found themselves with families to support and just plain didn't have enough time to spend surfing the web or reading magazines. (And, of course, a handful were just plain lost.)
If and when they did find time to seek out new things, I've inevitably fielded questions on all sorts of things. What's that crazy band you're listening to in your office? What's a new restaurant to go to? What movie should I take my wife to? I've always loved answering these questions, and I've found much more earnest and sincere music/movie/food/etc fans than I'd ever met in all the various circles I've been in that have purportedly been bound and formed by mutual interest.
And so, I thought I'd start this: the Salaryman Guide. A user-friendly service that will hopefully skim over the surface of the grand iceberg known as popular culture. It seemed obvious to have the Flaming Lips as the inaugural post.
The Flaming Lips
Who is This, and Why Should I Know About Them? Well, as college/art rock bands go, weird doesn't get more accessible than the Flaming Lips. Anyone that remotely listened and liked the Beach Boys beyond "Help Me Rhonda" or heard half of any prog rock album should be able to connect the dots.
When Would I Have Missed This? In 93, the Flaming Lips had a modest hit in "She Don't Use Jelly." It's one of those songs with diminishing returns; it just gets less and less amusing the more you listen to it... and, in 93, you had to listen to it ALOT.
Shortly thereafter, the Flaming Lips generated buzz with a handful of odd experiments. With their Boombox Experiments, the Flaming Lips would arrange up to 40 friends play boomboxes loaded with music that they had composed, each playing the tape, adjusting the volume, messing with the tape speed, etc. at varying times. With Zaireeka, they released an album spread over 4 CDs that were meant to be played simultaneously. So: weird for the sake of being weird. But in a delightful sense.
In 99, though, the Flaming Lips released The Soft Bulletin, which took them from weirdo art band to mainstream success (as in graduating from Conan to Leno). This saw the Flaming Lips end up in countless tv shows, movies, commercials, etc. This continued on in 2002 with Yoshimi Battles the Pink Robots and, to a lesser extent, with War With the Mystics in 2006.
Where Should I Start? Just skip past the mid 90s output and start with Soft Bulletin and Yoshimi.
Both are honest to God albums, as in need to be listened to start-to-finish, odd for our current times where the single reigns supreme. Plus, these are the ones that Justin Timberlake latched onto, and who's to argue with that guy?
"Race for the Prize" from The Soft Bulletin
The Flaming Lips - Race For The Prize from Phil Bebbington on Vimeo.
Uh.... If this ain't your cup of tea, don't worry. I'm not sure the Lips have that much traction with the kids nowaday, either: 3 years is a long time to go when the collective attention span grows shorter and shorter, and there's been a lot of Animal Collective albums that have come out since then. But they do have a new album, Embryonic, that comes out this month, which will hopefully change that.

Once we had ordered, the next item really set the stage: the gin fizz. I've never had a tasting menu where a cocktail is one of the courses, but I can't say I'm opposed. The shot glass was filled with seltzer water, with the gin encapsulated in this bubble sphere floating at the top. Meant to be downed in one gulp, the orb of gin bursts in the mouth with the rush of seltzer water to mix.
A little espresso cup of a chilled ginger and leak soup followed. Soup in shot glasses isn't exactly a new thing, but this one was more like a foamy drink than a pedestrian chilled soup, and refreshing after a day in the summer sun.
After four starters, the actual courses commenced with a gazpacho. Instead of the usual tomato soup that college kids serve at their first few grown-up dinner parties, this gazpacho had a healthy base of strawberry thrown into the mix, which made it much more of an interesting flavour combination than expected.
I don't remember much about dessert number one - it has been almost two months - but I do remember a good dose of gin, tying it to the gin fizz served at the beginning, a layer of sweet ice, and feeling like I needed to take a picture of all the layers involved. There you go. A good palate cleanser to transition.
I do remember slightly more about dessert number two, a chocolate fudge. It doesn't look like much from the picture, but underneath the surface of chocolate fudge pudding was an array of nuts, chocolate, cake-y goodness underneath.

We sat down outside in the sidewalk patio during an intense summer afternoon, watched British tourists cut the line and steal our table and one of our adjacent tables lose a purse to a petty thief. After the drama settled, we went with the "Meat Bombs": a take on the traditional meat and potato croquettes. These weren't so brilliantly conceptualized so much as they were brilliantly executed (and plated), with there being a great balance of meat and a delicate, crispy potato exterior, miles away from mere average croquettes that end up being a mash potato nightmare.
I love me some Granville Island, but imagine if they got rid of everything extraneous, and concentrated all the great parts of the market into one medium-sized venue that (drumroll) SERVES BOOZE. I'm no lush, but Lord knows I hate all the restrictions the Man has placed between alcohol and my consumption of it. To add that extra proverbial cherry on top, the place is open late, which works out gangbusters for everyone.


One of the more popular stalls was the oyster one, which was serving an array of oysters on the cheap: it was something like 2 euros for 6.
Another was a dessert stall, with fresh macaroons, gelato, chocolate, cake...you name it.
We didn't order the mollete as they either ran out or only serve it during breakfast - not that I didn't pout about it for a split sec. We never went for breakfast either - our hotel had free breakfast - but apparently El Mollete is known across the city for having one of the best tortillas around. We couldn't read the menu or the daily chalkboard, but did as the NY Times suggested and let the owner/manager pick for us. The dude is as charming and down to earth as it comes: the staff is basically just him serving tables, a bartender, and (I'm assuming) one lady we saw come out of the kitchen. One picture of Francis Ford Coppola adorns the wall, and that's it. There's no fuss or muss here: it's about the food.
One of these places is Casa Ciriaco, which has been around long enough to witness an attempted assassination of King Alfonso XIII in 1906, and forms part of the setting for Valle-Inclan's novel Luces de Bohemia. We figured its longevity must have been well founded, and had read that it tended to be the least touristy of the grand dames of the old restaurant scene, being a bit further from Plaza Mayor and the Huertas district, both tourist centres. The place looks its age, an old neighbourhood restaurant that's been in need of an upgrade for awhile, long enough so that it would be a shame to do so now. Pictures of famed bullfighters, the royal mum, and other celebs from yesteryear decorate the walls, with the servers having probably worked there longer than I've been alive.
We ended with a traditional Spanish flan or creme caramel. I don't think I've ever had a bad creme caramel, but this one seemed extra good, rich and caramel-y.
Later that night, we tried out other tapas (or pintxos, as they're referred to in Basque) places, including Wallpaper's pick Irrintzi (just okay). Most Basque places simply leave them lining the bar: grab what you want, and they count the toothpicks stuck in each tapa afterwards. This system works fantastic, because it basically felt like a glutton's dream come true - an all-you-can-eat smorgasbord with little guilt involved. Afterawhile, we found ourselves back at Victor Montes. For starters, we really just wanted to go to a great bar, and this place was an easy pick. In most places, when you order a glass of wine, your choices are basically just red, white or rose if you don't speak any Spanish. Our fave bartender was kind enough to give us different pours of wines from Rioja, explaining each one despite the place being packed to the gills. Also, based on the tortilla, we figured they would have great classic tapas.
I would have to be completely socially isolated not to notice the ongoing early/mid 90s nostalgia. Yesterday I saw someone wearing actual Cross Colors pants. I didn't realize that they still made those. I am assuming (and hoping) that the summer heat will lead to an obvious delay in Eight Ball jackets coming back.
Every now and then I completely obsess over De La Soul's "Stakes is High," which, in my mind, is one of the better hip hop songs through the genre's history - "Every word I say should be a hip hop quotable". This cycle stated anew when the Mos Def cover starting circulating the web.

